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Eso medusa set4/7/2023 ![]() ![]() ![]() Finally, a very few older women appear to provide background. Second, the teenage boys, who seem to be involved in constant and obsessive martial arts and quasi-military practice, hinting at battles yet to come. First, a girl recently sent to a boarding school run by the rapidly growing religious sect, who usefully provides the point of view of someone entirely new to their beliefs, allowing explanations for the audience’s sake. While following the adventures of The Treasures, the film introduces secondary characters who expand our view of their church. Wearing modest white dresses, they appear at religious gatherings where they perform weirdly contrived songs of devotion and feminine docility which usually come across as unconscious self-parody – for example, their first performance in the film, a breezy pop song about the apocalypse. At the forefront are the eight adolescent girls from the first scene, who are well known in the religious movement as a singing group, Treasures of the Lord, known familiarly as The Treasures. The film allows the more serious questions of political power and changes in the law to recede into the background and instead focuses on the actions of the youth, particularly teenage girls involved in the religious movement. Set in an imaginary near future, Medusa posits a Brazil in which fundamentalist Christian groups have gained power and influence. The use of music to create a mood and to enhance each scene is brilliant, from the incongruous 1960s pop songs, to select background music by Siouxsie and the Banshees, to the awkwardly modernised church hymns and the background score, arranged by sound designer Bernardo Uzeda and partly inspired by 1970s film music, is incredibly effective. In fact, while it seems odd to describe this violent and disturbing film as a musical, the score is an outstanding and highly original part of the film. The director refused to pigeonhole Medusa, saying: “It can be a horror film, it can be a comedy, it can be a fantasy. ![]()
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